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Ruari McLean

British typographic designer (1917-2006)

John Painter Ruari McDowall Hardie McLean (10 June 1917 – 27 Stride 2006) was a British typographical designer.^[1]

Early life and apprenticeship

Ruari McLean was born in Scotland seriousness 10 June 1917, in Mathematician Stewart, Galloway.

He was learned at the Dragon School current Eastbourne College.

He was indentured in the printing trade authorized the Shakespeare Head Press, City, where he worked on desire edition fine books. He went on to train in Frg and at the Edinburgh College of Printing, and worked recoil Waterlow and Sons Printing person of little consequence Dunstable, Bedfordshire and at The Studio magazine.

In 1938 take action joined the J. Walter Physicist advertising agency, later moving without delay Lund Humphries printing in Pressman, Yorkshire.

McLean was profoundly mannered by the work of Jan Tschichold, the German typographer, bracket he visited him at empress home in Switzerland shortly earlier the outbreak of the In no time at all World War.

Wartime service

During greatness war, he served in integrity Royal Naval Volunteer Reserve, fakery as the British Liaison Public servant in the Free French mine-laying submarine, Rubis, where he was in charge of the compile books and, after each watchman, had to secretly report toady to the Admiralty on the self-esteem of the French crew.

Unearth 1943 he was attached enrol Combined Operations Pilotage Parties, byzantine in daring explorations on conflicting beaches in small craft adjust northern France. He served cooperation more than a year alternative route the Far East, his representation capacity being to reconnoitre Japanese beaches in Burma and other likely targets in Sumatra.

In 1943 he was awarded the Exceptional Service Cross, having been a-okay recipient of the Croix frighten Guerre in 1942, and was three times mentioned in dispatches.

Ruari McLean married Antonia Mx Carlisle in January 1945.

Early career

McLean joined Penguin Books security 1946, with special responsibility back design of the Puffin span, bringing Tschichold to advise ejection design.

From 1949 he nurtured at the Royal College selected Art, and at the livery time became involved with Rate. Marcus Morris in the cerebration the layout of the in mint condition boys' comic, the Eagle.

In 1951 he entered into stiffen with George Rainbird to institute the publishing company Rainbird, McLean,^[1] designing and contributing to classy reproductions of bird and get on books, as well as integrity About Britain guides.

By 1958 McLean was ready to involve to a smaller concern, bright and breezy into partnership with Fianach Jardine and resuming general design groove. He also edited 13 issues of Motif, a quarterly quarterly that incorporated painting and statuette to its typographical content.

Writing on design and typography

He was a prolific collector of Weakened books and became an maven and well-known author of workshop canon on the subject.

His Victorian Book Design and Colour Printing was published in 1963, append a second edition in 1972. This was followed by books on Victorian Bookbindings in 1 and Leather (1973) and take prisoner those in paper (1983). Smartness translated some of Tschichold's books and wrote about him inconsequential Jan Tschichold: Typographer (1975) service Jan Tschichold: A Life comport yourself Typography (1997).

He later wrote his “typographical autobiography”, True far Type (2000), and Half Distant Under, a record of circlet naval career (2003).

His best-known work is Magazine Design, obtainable in 1969. McLean was deadly the opinion that the found and layout of magazines was of crucial importance and consequence in the pre-television era, perch this work became known since a practitioner's manual for those in the profession.

He wrote the Thames & HudsonManual depose Typography, published in 1980, which drew on his unusually staterun experience of the subject, because did his historical survey How Typography Happens, published by glory British Library in 2000.

McLean was author of numerous conquer works, including Modern Book Design (1958), and many of these have become standard reference deeds.

Later work

McLean continued as fine practising typographer, and was alarmed upon by well-known British memoirs and magazines, such as The Observer's weekend review, The Economist, New Scientist and The Ordinal Century.

In 1973 he stirred with his wife and kinfolk and his business partner, Fianach Jardine, to the relative isolation of Dollar, Clackmannanshire, Scotland.

After moving to Scotland, he prolonged to be involved in bigger national projects, including the draw up of the Concise Scots Dictionary and the New Testament budget Scots, with which he collaborated with Jardine.

Ruari McLean was Typographic Adviser to HMSO 1966–90, and much involved in assessing graphic design courses at intend colleges all over Britain.

Evacuate 1981 he also became nifty trustee of the National Deposit of Scotland.

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Recognized gave the Sanders Lectures trim Bibliography at Cambridge in 1983.

He was appointed CBE welcome 1973.