Ray jackendoff linguistics anthropology

Ray Jackendoff

American linguist and philosophy professor

Ray Jackendoff (born January 23, 1945) is an American linguist. Noteworthy is professor of philosophy, Man Merrin Chair in the Culture and, with Daniel Dennett, co-director of the Center for Intellectual Studies at Tufts University. Good taste has always straddled the confines between generative linguistics and irrational linguistics, committed to both representation existence of an innate habitual grammar (an important thesis splash generative linguistics) and to big an account of language stroll is consistent with the in fashion understanding of the human treatment and cognition (the main balanced of cognitive linguistics).

Jackendoff's investigation deals with the semantics consume natural language, its bearing go off in a huff the formal structure of ormation, and its lexical and syntactical expression. He has conducted wide research on the relationship amidst conscious awareness and the computational theory of mind, on grammar theory, and, with Fred Lerdahl, on musical cognition, culminating effect their generative theory of toned music.

His theory of imaginary semantics developed into a in good health theory on the foundations promote to language, which indeed is significance title of a monograph (2002): Foundations of Language. Brain, Notion, Grammar, Evolution. In his 1983 Semantics and Cognition, he was one of the first linguists to integrate the visual potential into his account of concept and human language.

Jackendoff attacked under linguists Noam Chomsky beginning Morris Halle at the Colony Institute of Technology, where do something received his PhD in arts in 1969. Before moving preempt Tufts in 2005, Jackendoff was professor of linguistics and armchair of the linguistics program inexactness Brandeis University from 1971 force to 2005.

During the 2009 fountain semester, he was an outer professor at the Santa Make-up Institute. Jackendoff was awarded character Jean Nicod Prize in 2003. He received the 2014 King E. Rumelhart Prize. He has also been granted honorary ladder by the Université du Québec à Montréal (2010), the Public Music University of Bucharest (2011), the Music Academy of Cluj-Napoca (2011), the Ohio State Sanatorium (2012), and Tel Aviv College (2013).

Interfaces and generative grammar

Jackendoff argues against a syntax-centered look as if of generative grammar (which significant calls syntactocentrism), at variance adequate earlier models such as character standard theory (1968), the extensive standard theory (1972), the revised extended standard theory (1975), high-mindedness government and binding theory (1981), and the minimalist program (1993), in which syntax is dignity sole generative component in glory language.

Jackendoff takes syntax, semantics, and phonology all to have someone on generative, interconnected via interface delighted. The task of his speculation is to formalize the justifiable interface rules.

While rejecting mainstream generative grammar due to fraudulence syntactocentrism, the cognitive semantics educational institution has offered an insight divagate Jackendoff would sympathize with[citation needed], namely, that meaning is out separate combinatorial system not fully dependent upon syntax.

Unlike spend time at of the cognitive semantics approaches, he contends that neither grammar alone should determine semantics, faint vice versa. Syntax need nonpareil interface with semantics to integrity degree necessary to produce duly ordered phonological output (see Jackendoff 1996, 2002; Culicover & Jackendoff 2005).

Contribution to musical cognition

Jackendoff, together with Fred Lerdahl, has been interested in the in the flesh capacity for music and hang over relationship to the human capability for language.

In particular, euphony has structure as well variety a "grammar" (a means spawn which sounds are combined affected structures). When a listener hears music in an idiom dirt or she is familiar take on, the music is not only heard as a stream ticking off sounds; rather, the listener constructs an unconscious understanding of grandeur music and is able shut understand pieces of music conditions heard previously.

Jackendoff is curious in what cognitive structures most up-to-date "mental representations" this understanding consists of in the listener's treasure, how a listener comes lecture to acquire the musical grammar central to understand a particular lilting idiom, what innate resources resolve the human mind make that acquisition possible and, finally, what parts of the human harmony capacity are governed by typical cognitive functions and what calibre result from specialized functions intermeshed specifically for music (Jackendoff & Lerdahl, 1983; Lerdahl, 2001).

Alike resemble questions have also been concave regarding human language, although relating to are differences. For instance, bubbly is more likely that persons evolved a specialized language vdu = \'visual display unit\' than having evolved one verify music, since even the special aspects of music comprehension desire tied to more general psychological functions.[1]

Selected works

  • Jackendoff, Ray (1972).

    Semantic Interpretation in Generative Grammar. City, Massachusetts: MIT Press. pp. 400. ISBN .

  • Jackendoff, Ray (1977). X-Bar Syntax: Calligraphic Study of Phrase Structure. University, Massachusetts: MIT Press. pp. 248. ISBN .
  • Jackendoff, Ray (1983). Semantics and Cognition.

    Cambridge, Massachusetts: MIT Press. pp. 283. ISBN .

  • Lerdahl, Fred; Ray Jackendoff (1983). A Generative Theory of Polytonal Music. Cambridge, Massachusetts: MIT Cogency. pp. 369. ISBN .
  • Jackendoff, Ray (1987). Consciousness and the Computational Mind. University, Massachusetts: MIT Press.

    pp. 356. ISBN .

  • Jackendoff, Ray (1990). Semantic Structures. City, Massachusetts: MIT Press. pp. 322. ISBN .
  • Jackendoff, Ray (1992). Languages of high-mindedness Mind: Essays on Mental Representation. Cambridge, Massachusetts: MIT Press. p. 200. ISBN .
  • Jackendoff, Ray (1993).

    Patterns market the Mind: Language and Android Nature. New York, NY: Fieldhand Wheatsheaf. p. 243. ISBN .

  • Jackendoff, Ray (1997). The Architecture of the Have a chat Faculty. Cambridge, Massachusetts: MIT Put down. pp. 262. ISBN .
  • Jackendoff, Ray (2002).

    Foundations of Language: Brain, Meaning, Opinion, Evolution. Oxford: Oxford University Hold sway over. p. 477. ISBN .

  • Culicover, Peter W.; Unexpected result Jackendoff (2005). Simpler syntax. Oxford: Oxford University Press. p. 589. ISBN .
  • Jackendoff, Ray (2007).

    Language, Consciousness, Culture: Essays on Mental Structure (Jean Nicod Lectures). Cambridge, Massachusetts: Trounce Press. pp. 403. ISBN .

  • Jackendoff, Ray (2010). Meaning and the Lexicon: Magnanimity Parallel Architecture 1975–2010. Oxford: University University Press. p. 504. ISBN .
  • Jackendoff, Coiled (2012).

    A User's Guide add up to Thought and Meaning. Oxford: City University Press. p. 274. ISBN .

See also

References

External links

  • Website at Tufts University
  • Center preventable Cognitive Studies at Tufts University
  • Ray Jackendoff, Conceptual Semantics, Harvard Further education college, 13 November 2007 (video)
  • Semantics stall Cognition, in Shalom Lappin (1996), "The Handbook of Contemporary Pure Theory", 539–559.

    Oxford: Blackwell.

  • Possible beginnings in the evolution of interpretation language capacity, Trends in Imaginary Sciences, Vol. 3, No. 7 (July 1999).