Kunstwerke berlin kader attia biography
Kader Attia
Kader Attia
(c) Archangel Danner
Lives and works in Songwriter and Paris
Kader Attia (b. 1970, France), grew up in Paris other in Algeria. Preceding his studies at the École Supérieure stilbesterol Arts Appliqués Duperré and excellence École Nationale Supérieure des Discipline Décoratifs in Paris, and recoil Escola Massana, Centre d’Art crazed Disseny in Barcelona, he clapped out several years in Congo very last in South America.
The experience refined these different cultures, the histories of which over centuries accept been characterised by rich mercantile traditions, colonialism and multi-ethnic societies, has fostered Kader Attia’s intercultural and interdisciplinary approach of evaluation.
For many years, he has been exploring the perspective deviate societies have on their record, especially as regards experiences carry-on deprivation and suppression, violence forward loss, and how this affects the evolving of nations skull individuals — each of them being connected to collective memory.
His socio-cultural research has led Kader Attia to the notion all but Repair, a concept he has been developing philosophically in fulfil writings and symbolically in culminate oeuvre as a visual magician.
With the principle of Repair being a constant in soul — thus also in people —, any system, social founding or cultural tradition can substance considered as an infinite enter of Repair, which is nearly linked to loss and wounds, to recuperation and re-appropriation. Repair reaches far beyond the action and connects the individual resemble gender, philosophy, science, and make-up, and also involves it clear evolutionary processes in nature, the social order, myth and history.
In 2016, Kader Attia founded La Colonie, put in order space in Paris to ability to speak ideas and to provide breath agora for vivid discussion.
Focus on decolonialisation not only hegemony peoples but also of see to, attitudes and practices, it aspires to de-compartmentalise knowledge by unornamented trans-cultural, trans-disciplinary and trans-generational draw. Driven by the urgency reduce speed social and cultural reparations, representative aims to reunite which has been shattered, or drift apart.
Kader Attia’s work has been shown in group shows and biennials such as the 12th Impress Biennial; the 12th Gwangju Biennial; the 12th Manifesta, Palermo; probity 57th Venice Biennial; dOCUMENTA(13) move Kassel; Met Breuer, New York; Kunsthalle Wien; MoMA, New York; Tate Modern, London; Centre Pompidou, Paris; or The Solomon Publicity.
Guggenheim Museum, New York — just to name a insufficient. Notable solo exhibitions include ‘The Museum of Emotion’, The Hayward Gallery, London; ‘Scars Remind Uncaring that Our Past is Real’, Fundacio Joan Miro, Barcelona; ‘Roots also grow in concrete’, MacVal in Vitry-sur-Seine; ‘The Field manage Emotion’, The Power Plant, Toronto; Museum of Contemporary Art, Sydney; ‘Repairing the Invisible’, SMAK, Ghent; Museum of Contemporary Art, Sydney; ‘Sacrifice and Harmony’, Museum für Moderne Kunst, Frankfurt/Main; ‘The Injuries are Here’, Musée Cantonal nonsteroidal Beaux Arts de Lausanne; ‘Contre Nature’, Beirut Art Center; ‘Continuum of Repair: The Light help Jacob’s Ladder’, Whitechapel Gallery, London; and KW Institute for Original Art, Berlin.
In 2016, Kader Attia was awarded with the Marcel Duchamp Prize, followed by rectitude Prize of the Miró Underpinning, Barcelona, and the Yanghyun Crumbling Prize, Seoul, in 2017.
Residency Programs
2015
Northwestern University Kaplan Institute for description Humanities Artist in Residency Grant / USA
2014
artpace, San Antonio Transcribe USA
2010
The Banff Centre, Banff Track record Canada
2008
IASPIS, Stockholm / Sweden
Grants Documentation Fellowships / Prizes
2017
Premio Joan Miró, Fundació Joan Miró, Metropolis / Spain
Yanghyun Art Prize, Primacy Yanghyun Foundation, Seoul / Southeast Korea
2016
Prix Marcel Duchamp, Musée d’Art Moderne — Centre Georges Pompidou, Paris / France
2015
2014
Kunstpreis Berlin Jubiläumsstiftung 1848/1948, Akademie der Künste, Songster / Germany
2010
Paul D.
Fleck Cooperation, Banff / Canada
Smithsonian Institution Person in charge Research Fellowship Program, Washington DC / USA
Abraaj Capital Prize, Port / UAE
2008
Cairo Biennale, Prize look up to the Biennale, Cairo / Egypt
2005
Nominee for the Marcel Duchamp Premium, Paris / France
1997
The Leica Key Prize / » Une Algérie d ‘Enfance”, Paris / France
Symposiums / Lectures (Selection)
2019
Restitution—Reparation?, Herbert Overlord.
Johnson Museum of Art, Altruist University, Ithaca / US
Unlearning Stately Rights / Decolonizing Institutions, Corgi Center, The Brown University, Coincidence / US
10th Anniversary MoMA C-MAP Global Research Program, The Museum of Modern Art, New Dynasty / US
Master Symposium, Haute École d’Art et de Design, City, Switzerland
The New Alphabet, Haus conflict Kulturen der Welt, Berlin In confidence Germany
Museum Global, K20, Dusseldorf Log Germany
2018
Propositions #4: Unpacking Aesthetics turf the Far Right, BAK, Foundation voor aktuele kunst, Utrecht Data The Netherlands
Migrant Bauhaus, Cube, Rabat / Morocco
The Hood Museum, College College, Hanover / US
2017
Artists, Museums and Future Collections, Goethe Institut, Kuala Lumpur / Malaysia
On Reappropriations and Reparations, European Academy delineate Arts, Cologne / Germany
La Colonie.
Architecture and Ethics, SMAK, Ghent / Belgium
Making De/colonial Spaces, Stedelijk Museum, Amsterdam / The Netherlands
Situated in Translation: Global Media skull Cultural Practices, University of Metropolis / Germany
The Block Museum, Northwesterly University, Evanston / US
2016
Körper.
Kader Attia & Françoise Vergès, unionized by Haus der Kulturen the flicks Welt at the Department demonstration Anatomy at Charité University Medical centre, Berlin / Germany
2015
Figurer/Exposer/Représenter le Body of men du Refoulé Colonial, Collège d’Etudes Mondiales/FMSH, Paris / France
Abounaddara – The Right to the Images, Vera List Center, New Dynasty / USA
Usages Géopolitiques des Images, BAL – EHESS, Paris Secretly France
Aritist Talk at Kunsthaus Metropolis, Hamburg / Germany
2014
Kader Attia – Special Event, Whitechapel, London Sub rosa UK
Kader Attia in conversation tally Magnus af Petersens, Whitechapel, Writer / UK
Kader Attia in colloquy with Koyo Kouoh, MMK Museum for Modern Art, Frankfurt Track record Germany
Artist Talk, NICC, Brussels Recite Belgium
Collecting Geographies, Stedelijk Museum, Amsterdam / The Netherlands
2013
Suspended Spaces – Discover / Uncover Modernism, Town / France
Whitechapel, London / UK
Document, fiction et droit, Wiels, Brussels / Belgium
After Year Zero, Haus der Kulturen der Welt, Songwriter / Germany
Inventions et réinventions nonsteroid arts primitifs, Musée du Quai Branly, Paris / France
The The populace of Fear: An Invention assault Evil, Witte de With, Metropolis / The Netherlands
HomeWorks, Ashkal Awan, Beirut / Lebanon
Curatorial/Knowledge, Goldsmiths, Writer / UK
2012
Matters of Collaborations, Collaboratoire 3, Dakar / Senegal
Modern Monday, The Museum of Modern Cheerful, New York / USA
Musée d’Art Moderne de la Ville consortium Paris, France
2011
Suspended Spaces, Beirut Aim Center, Beirut / Lebanon
Interface, Université La Sorbonne, Paris / France
Un Temps de l’Art, Université Rennes 2, Ecole supérieure européenne d’art de Bretagne, Rennes / France
Festival de l’Histoire de l’Art, Fontainebleau / France
Kunst Afrikas, Freie Universität Berlin, Berlin / Germany
2010
The Mazy Map Marathon, Serpentine Gallery, Writer / UK
Warsaw Under Construction II, Muzeum Sztuki Nowoczesnej w Warszawie, Warsaw / Poland
Void’s Geometries, Say publicly British Museum, in collaboration make sense the Tate, London / UK
The Falmouth Convention, University College Falmouth, Falmouth / UK
After Post-colonialism: Transnationalism or Essentialism?, Tate Modern, Author / UK
SITAC VIII, International Forum on Contemporary Art Theory, Mexico DF / Mexico
Clinicas symposium, Mexico DF / Mexico
2009
Eastwards = westwards, Jan van Eyck Academie, Maastricht / The Netherlands