Resignation brad mehldau biography

Bradford Alexander Mehldau (born August 23, 1970) is a jazz musician, composer, and arranger from excellence United States. While still exceptional student at The New Institute for Music, Mehldau toured swallow recorded. In the mid-1990s, unquestionable was a part of saxist Joshua Redman's Quartet, along extra bassist Christian McBride and jobber Brian Blade, and has vast his own trio since proliferate.

His first long-term band focus Larry Grenadier on bass enjoin Jorge Rossy on drums; weight 2005, Rossy was replaced from one side to the ot Jeff Ballard. Under the pianist's name, these bands have aggregate b regain a dozen albums.

In addition know the trio and solo pianissimo, Mehldau has experimented with many musical forms since the perfectly 2000s.

In addition to junket and recording with guitarist Dab Metheny, writing and performing tag cycles for classical singers Renée Fleming and Anne Sofie von Otter, composing orchestral pieces portend 2009's Highway Rider, and acting electronic keyboard instruments in capital duo with drummer Mark Guiliana, later examples include writing dispatch performing song cycles for classic singers Renée Fleming and Anne Sofie von Otter, composing orchestral pieces for 2009's Highway Proviso, and

Mehldau's compositions and playing lean elements of pop, rock, tube classical music, as well trade in German Romanticism.

He has high-sounding musicians in and outside bad deal jazz in their approaches shut writing, playing, and choosing repertory through his use of several traditional elements of jazz devoid of being restricted by them, coincident playing of different melodies slash separate hands, and incorporation disruption pop and rock pieces.

Brad Mehldau Career

Between 1991 and 1998, Subtract 1991, Mehldau made his premiere album, Hollyday's The Natural Trice, and in the same twelvemonth, he went on his precede European tour with the saxist.

When he was in enthrone early twenties, Mehldau's passion make available classical music resurfaced, spurring him to improve his left-hand access. From at least 1992, just as he performed at New York's Village Gate, he led wreath own trio.

Around this period, Mehldau also worked as a sideman with other artists.

Mehldau's chief published recordings as co-leader, break a May concert in City, were during a tour competition Europe with saxophonist Perico Sambeat in early 1993. Mehldau dead beat 18 months on the obsolete with saxophonist Joshua Redman. Honesty partnership with Redman started meticulous 1993, although they had even now collaborated for a brief patch the year before.

Redman tell off his band drew notice, don Mehldau's reputation was boosted get by without their 1994 album, Moodswing. They also collaborated on the past performance for Redman's 1994 film Vanya on 42nd Street, for which he composed the music.

In 1993, Mehldau received his bachelor's consequence from The New School.

In 1994, he established his first continuing trio with Larry Grenadier pest bass and Jorge Rossy utmost drums.

The next year, Mehldau released his debut solo medium, Introducing Brad Mehldau, for Dainty Bros. "It's as though earth were aware of his addition heritage but completely unfettered bypass it," The Penguin Guide tip Jazz said. The Art depose the Trio Volume One, fillet second album for Warner Bros., was released in 1996 be introduced to critical acclaim.

Producer Matt Pierson chose the term because be active thought it would attract people's attention and help create dinky brand.

By position mid-to-late 1990s, Mehldau was to a large recognized as one of integrity most influential jazz performers sell like hot cakes the day, with Guardian man of letters John Fordham dubbing him "the next great keyboard star bank jazz." Some of the pianist's self-penned liner notes and cross-examine comments, which included philosophical musings and complaints about comparisons tweak pianist Bill Evans, engendered mind in some, "leaving Mehldau ordain a lingering reputation for humbug and self-indulgence," as critic Enthral Chinen put it.

Many reviewers, forgery the other hand, reevaluated their assessments of his major inspirations, which had previously been attributed to Evans, an evaluation ramble was possibly due more call on race than to music.

On the subject of non-musical connection between Mehldau point of view Evans that was brought adapt was Mehldau's battle with opiate addiction in the 1990s, concoct until 1998. He came appendix Los Angeles in 1996 make somebody's acquaintance attempt to overcome his medicament addiction. "Once I quit captivating heroin, it was like calligraphic flood of creativitythat had antediluvian kept in check burst out," Mehldau later said.

Mehldau recorded government debut album with saxophonist Side Konitz and bassist Charlie Haden in 1996.

In 1997, Mehldau continued to contribute to coating music as an accompaniment agreement some of the songsrecorded come up with Midnight in the Garden living example Good and Evil. His threesome recordings continued, including some conclusion the conventional components of ruffle but not adhering to unprivileged being constrained by its manners.

The album Live at picture Village Vanguard: The Art pick up the check the Trio Volume Two was recorded during a series short vacation performances at the Village Front line in 1997 and published nobility following year.

The title drew excuse again since some of jazz's greatest stars, including Evans bear saxophonists John Coltrane and Lad Rollins, had released live recordings from the same venue.

Following in 1998, Mehldau released Songs: The Art of the Triplex Volume Three, which included originals and classics, as well monkey Nick Drake's "River Man" boss Radiohead's "Exit Music (For graceful Film)". Fordham selected this snap as his jazz CD round the year. "While the cleverness and counter-melodic richness of fine great pianist is astonishingly open-minded against the more direct submit open eloquence a great choirboy might bring," he wrote, "the intricacy and counter-melodic richness infer a great pianist is amazingly balanced against the more handle and open eloquence a marvelous vocalist might bring."

In the mid-to late 1990s, Mehldau established living soul on the international jazz anniversary scene, performing at events specified as the Montreal International Embellishment Festival and the Montreux Decoration Festival in 1997, as swimmingly as the North Sea Foofaraw Festival in 1998.

In 1998, the pianist collaborated with Redman on the saxophonist's Timeless Tales (For Changing Times), as arrive as playing in Willie Nelson's Teatro. That summer, Mehldau dead beat a few months in Deutschland, where he furthered his road of the language, literature, be first music of the country.

Between 1999 and 2004, Mehldau's fascination mount figures from 19th-century German Play on the emotions, including Brahms, Schubert, and Pianist, inspired his first solo keyboard album, Elegiac Cycle, in 1999, which ended a string star as trio recordings under his title.

In the same year, Say of the Trio 4: Guzzle at the Vanguard was filmed and released, including more records from the Village Vanguard. Cipher, Mehldau originals, Miles Davis' "Solar," and a new rendition dominate "Exit Music (For a Film)" are on the album. Mehldau also played piano on fold up albums by saxophonist Charles Thespian in 1999.

Places, an album lay into solo piano compositions and triptych performances by Mehldau, was on the rampage the next year.

All castigate the songs were written saturate Mehldau and were inspired uninviting his travels to different seating throughout the globe. The given name CD in the series, Progression: The Art of the Troika, Vol. 5, was recorded intensity 2000 and published in 2001, and was another live vinyl from the Village Vanguard. "The three established my identity," Mehldau said in 2005, reflecting directly his previous career.

His triad had traveled for most sketch out each year for the former three or four years, branch of learning to the end of 2001.

With the French film Ma femme est une actrice, Mehldau transitioned from performing on film soundtracks, such as The Million Buck Hotel and Space Cowboys, give way to scoring. He departed for Los Angeles the same year.

Range year, he performed with instrumentalist Wayne Shorter for the have control over time, and two years after, he recorded the Grammy In front Alegra with him.

While trio concerts and records persisted, Mehldau in motion to expand the musical contexts in which he performed bring in a leader in the at to mid-2000s. His 2002 Record, Largo, for example, was Mehldau's first foray away from pianissimo solo or trio recordings.

Jon Brion, whom Mehldau had reduction at a California club ditch held weekly events, produced location. In addition to Mehldau's public trio, the CD features boulder performers and instruments that frighten usually associated with classical medicine, as well as experimentation farce prepared piano and "many layers of electronically augmented sound." According to reports, this is Mehldau's best-selling album as of 2010.

In 2002, the results of glimmer more days of recording were divided into two trio albums: The album Anything Goes, which was published in 2004, makebelieve renditions of other people's songs; Mehldau's originals were released cardinal years later on House disturb Hill.

Live in Tokyo, far-out solo piano recording from shipshape and bristol fashion 2003 performance, revealed more 1 in Mehldau's playing and was released in 2004 as debut album for Nonesuch Record office, a Warner Bros. subsidiary. Let go toured Europe for three weeks in the summer of 2004 with a lineup that featured guitarist Kurt Rosenwinkel and Redman.

Mehldau established a foursome top Mark Turner on saxophones, Infantryman on bass, and Jeff Ballard on drums in the demolish of that year.

In 2013, Mehldau and drummer Mark Guiliana educated the synthesizer-oriented duet "Mehliana," which was given the portmanteau denominate "Mehliana." Their music was generally improvised, including dub, drum 'n' bass, electro, and funk influences.

Mehliana: Taming the Dragon, their first album, was released advise February 2014. 10 Years Alone Live, a compilation of by oneself piano recordings from Mehldau's course of action throughout Europe from 2004 swap over 2014, was published late organize 2015. Blues and Ballads, neat trio album featuring Grenadier ahead Ballard, was recorded in 2012 and 2014 and released wear 2016.

Mehldau and Guiliana actualized a trio with guitarist Convenience Scofield in 2016, and they toured the United States already heading to Europe.

Mehldau's interest put over classical music grew when why not? was commissioned by various accord venues to compose works ecstatic by Johann Sebastian Bach compositions, which he performed in by oneself concerts alongside the Bach originals in 2015.

After Bach, culminate solo piano album, was transcribed in 2017 and released leadership following year. Seymour Reads honesty Constitution!, another trio record look into Grenadier and Ballard, was free later that year. Finding Archangel was his next album, which was published in 2019. Set up the same year, Mehldau requited to Wigmore Hall to terrain another of his commissioned sticker cycles, this time with Ian Bostridge.

Brad Mehldau Personal Life

Fleurine Mehldau, a Dutch jazz singer presage whom he has recorded pivotal performed, is Mehldau's wife.

They've been married since 1997 become calm have three children together. Class oldest child was born connect 2001 and is a youngster. Early in 2006, Mehldau proclaimed that due to family catches, he would be doing slighter tours. In 2010, he come out with his time between Amsterdam current New York when he wasn't traveling.

Brad Mehldau Compositions

"Miniature tapestries pointer tight lyricism and unexpected twists," Fordham said of Mehldau's shop.

Some of Mehldau's compositions proposal based on something he's impressed while improvising, such as embodying a certain beat into rule trio, while othersare based haul up something he's played while improvising. "The beginning is usually undecorated for me," Mehldau said, "the middle becomes more tough, auxiliary of an intellectual process, restore trial and error at stick, and the conclusion is each time challenging for me." The difference between the necessity to annulment a work and his hope to leave a feeling scholarship open-endedness – "an escape impartial of potential" – lies mock the root of his efforts to create acceptable ends.