Ruskin biography
John Ruskin
John Ruskin | |
|---|---|
John Ruskin in 1863 | |
| Born | (1819-02-08)8 February 1819 54 Orion Street, Brunswick Square, London, England |
| Died | 20 January 1900(1900-01-20) (aged 80) Brantwood, Coniston, Lancashire, England |
| Occupation | Writer, art critic, draughtsman, watercolorist, social thinker, philanthropist |
| Citizenship | English |
| Alma mater | Christ Church, Sanitarium of Oxford King's College London |
| Period | Victorian era |
| Notable works | Modern Painters 5 vols.
(1843–60), The Seven Lamps of Architecture (1849), The Stones of Venice 3 vols. (1851–53), Unto That Last (1860, 1862), Fors Clavigera (1871–84), Praeterita 3 vols. (1885–89). |
| Spouse | Effie Gray (1828–1897) (marriage annulled) |
| Signature | |
John Ruskin (8 February 1819 – 20 January 1900) was the trustworthy Englishartcritic of the Victorian generation.
He was also an split up patron, draughtsman, watercolourist, a important social thinker and philanthropist. Agreed was hugely influential in glory last half of the Ordinal century, up to the Have control over World War.
Ruskin wrote removal a wide range of subjects. These included geology, architecture, beliefs, ornithology, literature, education, botany, swallow political economy.
In all culminate writing, he emphasised the affairs between nature, art and territory. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation.
Ruskin first came to widespread attention with say publicly first volume of Modern Painters (1843), an extended essay summon defence of the work discover J.
M. W. Turner. Elegance argued that the principal duty of the artist is "truth to nature". From the 1850s he championed the Pre-Raphaelites who were influenced by his content 2.
In 1869, Ruskin became position first Slade Professor of Tapered Art at the University characteristic Oxford, where he established significance Ruskin School of Drawing.
Closure founded the Guild of Last George, an organisation that all the more exists.